A study of paintings on glass produced in the workshop of Luca Giordano prompts a review of some problematic attributions to him of pictures which should instead be ascribed to specialist pupils and collaborators. The author proposes revisions regarding the oeuvre of the Giordanesque painters Carlo Garofalo, Domenico Coscia and Girolamo Cenatiempo, highlighting the widespread custom of copying the master’s models for reverse painting on glass, which according to early sources, confirmed by recent archival research, was regular practice in that workshop.
Vetri dipinti e pratiche di copia nell’officina di Luca Giordano
Acanfora, Elisa
2022-01-01
Abstract
A study of paintings on glass produced in the workshop of Luca Giordano prompts a review of some problematic attributions to him of pictures which should instead be ascribed to specialist pupils and collaborators. The author proposes revisions regarding the oeuvre of the Giordanesque painters Carlo Garofalo, Domenico Coscia and Girolamo Cenatiempo, highlighting the widespread custom of copying the master’s models for reverse painting on glass, which according to early sources, confirmed by recent archival research, was regular practice in that workshop.File in questo prodotto:
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