In his play Les mangeuses de chocolat Philippe Blasband tackles, with a sometimes dark humour, the problem of so-called "innocent" addictions such as the one the protagonists have with chocolate, transforming the pleasure it gives them into a compulsion that they seek to cure with group therapy, during which a series of problems linked to individual traumas will progressively manifest themselves, as well as the role that "speech", whether singular, shared or reluctant, assumes in the search for the intimate depths. Through an analysis of the discourses of the eaters and the therapist, of the subjects addressed and of the relational dynamics that are established, we will examinate how Philippe Blasband reflects deeply on the meaning of literature in the contemporary world, through the staging of a compulsion associated with chocolate, a metis/plural product par excellence, dear to children and an "object of status" for adults, which Belgium's chocolate masters have brought to levels of excellence.

LA PAROLE AU CHOCOLAT ! TRAUMATISMES INTIMES DE LA VIE CONTEMPORAINE DANS LES MANGEUSES DE CHOCOLAT DE PHILIPPE BLASBAND

Emilia Surmonte
Writing – Original Draft Preparation
2021-01-01

Abstract

In his play Les mangeuses de chocolat Philippe Blasband tackles, with a sometimes dark humour, the problem of so-called "innocent" addictions such as the one the protagonists have with chocolate, transforming the pleasure it gives them into a compulsion that they seek to cure with group therapy, during which a series of problems linked to individual traumas will progressively manifest themselves, as well as the role that "speech", whether singular, shared or reluctant, assumes in the search for the intimate depths. Through an analysis of the discourses of the eaters and the therapist, of the subjects addressed and of the relational dynamics that are established, we will examinate how Philippe Blasband reflects deeply on the meaning of literature in the contemporary world, through the staging of a compulsion associated with chocolate, a metis/plural product par excellence, dear to children and an "object of status" for adults, which Belgium's chocolate masters have brought to levels of excellence.
2021
Dans sa pièce théâtrale Les mangeuses de chocolat Philippe Blasband aborde, avec un humour parfois sombre, le problème des dépendances dites « innocentes » comme celle que les protagonistes entretiennent avec le chocolat, en transformant le plaisir qu’il procure en compulsion qu’elles cherchent à guérir avec une thérapie de groupe, pendant laquelle vont se manifester progressivement une série de problématiques liées aux traumatismes individuels et le rôle que la « parole » singulière, partagée ou réticente assume dans la recherche des profondeurs intimes. À travers une analyse des discours des mangeuses et de la thérapeute, des sujets abordés et des dynamiques relationnelles qui s’établissent, on examinera comment Philippe Blasband porte une réflexion profonde sur le sens de la littérature dans le monde contemporain, à travers la mise en scène d’une compulsion associée au chocolat, produit métis/pluriel par excellence, cher aux enfants et « objet de standing » pour les adultes que les maîtres chocolatiers de la Belgique ont porté à des niveaux d’excellence.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11563/163113
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