Abstract in english : The Georgics of Claude Simon represent an exemplary case of work built on an "in-between", declined on several levels. "In-between" conceptual first, (difficulty of scriptural recomposition, in the present, of past lives); temporal (massive use of the present participle as the time of suspension between movement and immobility); textual (internal structure of the work and its dialogue with other works and writers (Virgil and Orwell in particular), scriptural (oscillation between ekphrasis and narration), auctorial (writing of the ancestor and that of his descendant). Analytical tools offered by the New Brachylogy are thus applied here to the structure of this work, to explain its dialogic structure and the modalities of assembling its fragmentary components.

Les Géorgiques de Claude Simon, Une écriture brachylogique de l'entre-deux?

Emilia Surmonte
2019-01-01

Abstract

Abstract in english : The Georgics of Claude Simon represent an exemplary case of work built on an "in-between", declined on several levels. "In-between" conceptual first, (difficulty of scriptural recomposition, in the present, of past lives); temporal (massive use of the present participle as the time of suspension between movement and immobility); textual (internal structure of the work and its dialogue with other works and writers (Virgil and Orwell in particular), scriptural (oscillation between ekphrasis and narration), auctorial (writing of the ancestor and that of his descendant). Analytical tools offered by the New Brachylogy are thus applied here to the structure of this work, to explain its dialogic structure and the modalities of assembling its fragmentary components.
2019
Abstract en français : Les Géorgiques de Claude Simon représentent un cas exemplaire d’œuvre construite sur un « entre-deux », décliné à plusieurs niveaux. « Entre-deux » conceptuel d’abord, (difficulté de recomposition scripturale, dans le présent, de vies antérieures) ; temporel (utilisation massive du participe présent comme temps de suspension entre mouvement et immobilité) ; textuel (structure interne de l’œuvre et son dialogue avec d’autres œuvres et écrivains (Virgile et Orwell notamment) ; scriptural (oscillation entre ekphrasis et narration) ; auctorial (écriture de l’ancêtre et celle de son descendant). Des perspectives analytiques offertes par la Nouvelle Brachylogie sont donc ici appliquées à la structure de cette œuvre, pour rendre compte de sa structure dialogique et des modalités de montage de ses composantes fragmentaires.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11563/141575
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